A popular Australian arts festival has cancelled a Spanish artist’s project to soak a British flag in Indigenous people’s blood after angry protests from the Aboriginal community.
“A coloniser artist intending to produce art with the actual blood of colonised people is abusive, colonising and re-traumatising,” Indigenous author Claire G. Coleman tweeted.
“The idea is disgusting and terrible and should not have been considered.”
MONA curator Leigh Carmichael initially defended the plans, posting on the festival’s Facebook page on Monday that “self-expression is a fundamental human right”.
On behalf of artist Santiago Sierra, we are looking for people to take part in Union Flag: a new artwork that will see the Union Jack immersed in the blood of its colonised territories at Dark Mofo 2021. Read more and register here: https://t.co/7pMdB6amJm pic.twitter.com/zMY6vRqNLr
— Dark Mofo (@Dark_Mofo) March 19, 2021
But a day later he apologised “to all First Nations people for any hurt that has been caused”, cancelling the project and calling it a “mistake”.
A group of Indigenous artists, curators and arts workers have created a petition saying they will not work with MONA or its festivals “until there are organisational reforms to be respectful to First Peoples, our culture and our histories”.
MONA’s founder, millionaire professional gambler David Walsh, admitted he had given little consideration to the project, which also created an internal protest from museum staff who called it “tone-deaf”.
“Naively, perhaps incredibly, I thought it would appeal to the usual leftie demographic. I approved it without much thought (as has become obvious),” Walsh wrote in a blog post.
“I am the archetypal beneficiary of colonialism. And I’ve caught myself using that as an excuse for my ignorance.”
Sierra appeared unapologetic, defiantly posting on Instagram: “OFTEN THE SLAVE DEFENDS THE SYMBOLS OF THE MASTER.”
So far, more than 2,000 people have signed the petition that calls on MONA to issue a formal apology, hold mandatory staff cultural awareness training and decolonisation workshops and appointment an Indigenous advisory board.
They are also demanding the appointment of multiple Indigenous curators and the funding of more Tasmanian Aboriginal art.
MONA, which was opened 10 years ago and displays Walsh’s vast personal art collection, is widely credited with helping to revitalise Hobart and along with its annual festivals is a major tourist drawcard for the city.
A popular Australian arts festival has cancelled a Spanish artist’s project to soak a British flag in Indigenous people’s blood after angry protests from the Aboriginal community.
“A coloniser artist intending to produce art with the actual blood of colonised people is abusive, colonising and re-traumatising,” Indigenous author Claire G. Coleman tweeted.
“The idea is disgusting and terrible and should not have been considered.”
MONA curator Leigh Carmichael initially defended the plans, posting on the festival’s Facebook page on Monday that “self-expression is a fundamental human right”.
On behalf of artist Santiago Sierra, we are looking for people to take part in Union Flag: a new artwork that will see the Union Jack immersed in the blood of its colonised territories at Dark Mofo 2021. Read more and register here: https://t.co/7pMdB6amJm pic.twitter.com/zMY6vRqNLr
— Dark Mofo (@Dark_Mofo) March 19, 2021
But a day later he apologised “to all First Nations people for any hurt that has been caused”, cancelling the project and calling it a “mistake”.
A group of Indigenous artists, curators and arts workers have created a petition saying they will not work with MONA or its festivals “until there are organisational reforms to be respectful to First Peoples, our culture and our histories”.
MONA’s founder, millionaire professional gambler David Walsh, admitted he had given little consideration to the project, which also created an internal protest from museum staff who called it “tone-deaf”.
“Naively, perhaps incredibly, I thought it would appeal to the usual leftie demographic. I approved it without much thought (as has become obvious),” Walsh wrote in a blog post.
“I am the archetypal beneficiary of colonialism. And I’ve caught myself using that as an excuse for my ignorance.”
Sierra appeared unapologetic, defiantly posting on Instagram: “OFTEN THE SLAVE DEFENDS THE SYMBOLS OF THE MASTER.”
So far, more than 2,000 people have signed the petition that calls on MONA to issue a formal apology, hold mandatory staff cultural awareness training and decolonisation workshops and appointment an Indigenous advisory board.
They are also demanding the appointment of multiple Indigenous curators and the funding of more Tasmanian Aboriginal art.
MONA, which was opened 10 years ago and displays Walsh’s vast personal art collection, is widely credited with helping to revitalise Hobart and along with its annual festivals is a major tourist drawcard for the city.
A popular Australian arts festival has cancelled a Spanish artist’s project to soak a British flag in Indigenous people’s blood after angry protests from the Aboriginal community.
“A coloniser artist intending to produce art with the actual blood of colonised people is abusive, colonising and re-traumatising,” Indigenous author Claire G. Coleman tweeted.
“The idea is disgusting and terrible and should not have been considered.”
MONA curator Leigh Carmichael initially defended the plans, posting on the festival’s Facebook page on Monday that “self-expression is a fundamental human right”.
On behalf of artist Santiago Sierra, we are looking for people to take part in Union Flag: a new artwork that will see the Union Jack immersed in the blood of its colonised territories at Dark Mofo 2021. Read more and register here: https://t.co/7pMdB6amJm pic.twitter.com/zMY6vRqNLr
— Dark Mofo (@Dark_Mofo) March 19, 2021
But a day later he apologised “to all First Nations people for any hurt that has been caused”, cancelling the project and calling it a “mistake”.
A group of Indigenous artists, curators and arts workers have created a petition saying they will not work with MONA or its festivals “until there are organisational reforms to be respectful to First Peoples, our culture and our histories”.
MONA’s founder, millionaire professional gambler David Walsh, admitted he had given little consideration to the project, which also created an internal protest from museum staff who called it “tone-deaf”.
“Naively, perhaps incredibly, I thought it would appeal to the usual leftie demographic. I approved it without much thought (as has become obvious),” Walsh wrote in a blog post.
“I am the archetypal beneficiary of colonialism. And I’ve caught myself using that as an excuse for my ignorance.”
Sierra appeared unapologetic, defiantly posting on Instagram: “OFTEN THE SLAVE DEFENDS THE SYMBOLS OF THE MASTER.”
So far, more than 2,000 people have signed the petition that calls on MONA to issue a formal apology, hold mandatory staff cultural awareness training and decolonisation workshops and appointment an Indigenous advisory board.
They are also demanding the appointment of multiple Indigenous curators and the funding of more Tasmanian Aboriginal art.
MONA, which was opened 10 years ago and displays Walsh’s vast personal art collection, is widely credited with helping to revitalise Hobart and along with its annual festivals is a major tourist drawcard for the city.
A popular Australian arts festival has cancelled a Spanish artist’s project to soak a British flag in Indigenous people’s blood after angry protests from the Aboriginal community.
“A coloniser artist intending to produce art with the actual blood of colonised people is abusive, colonising and re-traumatising,” Indigenous author Claire G. Coleman tweeted.
“The idea is disgusting and terrible and should not have been considered.”
MONA curator Leigh Carmichael initially defended the plans, posting on the festival’s Facebook page on Monday that “self-expression is a fundamental human right”.
On behalf of artist Santiago Sierra, we are looking for people to take part in Union Flag: a new artwork that will see the Union Jack immersed in the blood of its colonised territories at Dark Mofo 2021. Read more and register here: https://t.co/7pMdB6amJm pic.twitter.com/zMY6vRqNLr
— Dark Mofo (@Dark_Mofo) March 19, 2021
But a day later he apologised “to all First Nations people for any hurt that has been caused”, cancelling the project and calling it a “mistake”.
A group of Indigenous artists, curators and arts workers have created a petition saying they will not work with MONA or its festivals “until there are organisational reforms to be respectful to First Peoples, our culture and our histories”.
MONA’s founder, millionaire professional gambler David Walsh, admitted he had given little consideration to the project, which also created an internal protest from museum staff who called it “tone-deaf”.
“Naively, perhaps incredibly, I thought it would appeal to the usual leftie demographic. I approved it without much thought (as has become obvious),” Walsh wrote in a blog post.
“I am the archetypal beneficiary of colonialism. And I’ve caught myself using that as an excuse for my ignorance.”
Sierra appeared unapologetic, defiantly posting on Instagram: “OFTEN THE SLAVE DEFENDS THE SYMBOLS OF THE MASTER.”
So far, more than 2,000 people have signed the petition that calls on MONA to issue a formal apology, hold mandatory staff cultural awareness training and decolonisation workshops and appointment an Indigenous advisory board.
They are also demanding the appointment of multiple Indigenous curators and the funding of more Tasmanian Aboriginal art.
MONA, which was opened 10 years ago and displays Walsh’s vast personal art collection, is widely credited with helping to revitalise Hobart and along with its annual festivals is a major tourist drawcard for the city.
A popular Australian arts festival has cancelled a Spanish artist’s project to soak a British flag in Indigenous people’s blood after angry protests from the Aboriginal community.
“A coloniser artist intending to produce art with the actual blood of colonised people is abusive, colonising and re-traumatising,” Indigenous author Claire G. Coleman tweeted.
“The idea is disgusting and terrible and should not have been considered.”
MONA curator Leigh Carmichael initially defended the plans, posting on the festival’s Facebook page on Monday that “self-expression is a fundamental human right”.
On behalf of artist Santiago Sierra, we are looking for people to take part in Union Flag: a new artwork that will see the Union Jack immersed in the blood of its colonised territories at Dark Mofo 2021. Read more and register here: https://t.co/7pMdB6amJm pic.twitter.com/zMY6vRqNLr
— Dark Mofo (@Dark_Mofo) March 19, 2021
But a day later he apologised “to all First Nations people for any hurt that has been caused”, cancelling the project and calling it a “mistake”.
A group of Indigenous artists, curators and arts workers have created a petition saying they will not work with MONA or its festivals “until there are organisational reforms to be respectful to First Peoples, our culture and our histories”.
MONA’s founder, millionaire professional gambler David Walsh, admitted he had given little consideration to the project, which also created an internal protest from museum staff who called it “tone-deaf”.
“Naively, perhaps incredibly, I thought it would appeal to the usual leftie demographic. I approved it without much thought (as has become obvious),” Walsh wrote in a blog post.
“I am the archetypal beneficiary of colonialism. And I’ve caught myself using that as an excuse for my ignorance.”
Sierra appeared unapologetic, defiantly posting on Instagram: “OFTEN THE SLAVE DEFENDS THE SYMBOLS OF THE MASTER.”
So far, more than 2,000 people have signed the petition that calls on MONA to issue a formal apology, hold mandatory staff cultural awareness training and decolonisation workshops and appointment an Indigenous advisory board.
They are also demanding the appointment of multiple Indigenous curators and the funding of more Tasmanian Aboriginal art.
MONA, which was opened 10 years ago and displays Walsh’s vast personal art collection, is widely credited with helping to revitalise Hobart and along with its annual festivals is a major tourist drawcard for the city.
A popular Australian arts festival has cancelled a Spanish artist’s project to soak a British flag in Indigenous people’s blood after angry protests from the Aboriginal community.
“A coloniser artist intending to produce art with the actual blood of colonised people is abusive, colonising and re-traumatising,” Indigenous author Claire G. Coleman tweeted.
“The idea is disgusting and terrible and should not have been considered.”
MONA curator Leigh Carmichael initially defended the plans, posting on the festival’s Facebook page on Monday that “self-expression is a fundamental human right”.
On behalf of artist Santiago Sierra, we are looking for people to take part in Union Flag: a new artwork that will see the Union Jack immersed in the blood of its colonised territories at Dark Mofo 2021. Read more and register here: https://t.co/7pMdB6amJm pic.twitter.com/zMY6vRqNLr
— Dark Mofo (@Dark_Mofo) March 19, 2021
But a day later he apologised “to all First Nations people for any hurt that has been caused”, cancelling the project and calling it a “mistake”.
A group of Indigenous artists, curators and arts workers have created a petition saying they will not work with MONA or its festivals “until there are organisational reforms to be respectful to First Peoples, our culture and our histories”.
MONA’s founder, millionaire professional gambler David Walsh, admitted he had given little consideration to the project, which also created an internal protest from museum staff who called it “tone-deaf”.
“Naively, perhaps incredibly, I thought it would appeal to the usual leftie demographic. I approved it without much thought (as has become obvious),” Walsh wrote in a blog post.
“I am the archetypal beneficiary of colonialism. And I’ve caught myself using that as an excuse for my ignorance.”
Sierra appeared unapologetic, defiantly posting on Instagram: “OFTEN THE SLAVE DEFENDS THE SYMBOLS OF THE MASTER.”
So far, more than 2,000 people have signed the petition that calls on MONA to issue a formal apology, hold mandatory staff cultural awareness training and decolonisation workshops and appointment an Indigenous advisory board.
They are also demanding the appointment of multiple Indigenous curators and the funding of more Tasmanian Aboriginal art.
MONA, which was opened 10 years ago and displays Walsh’s vast personal art collection, is widely credited with helping to revitalise Hobart and along with its annual festivals is a major tourist drawcard for the city.
A popular Australian arts festival has cancelled a Spanish artist’s project to soak a British flag in Indigenous people’s blood after angry protests from the Aboriginal community.
“A coloniser artist intending to produce art with the actual blood of colonised people is abusive, colonising and re-traumatising,” Indigenous author Claire G. Coleman tweeted.
“The idea is disgusting and terrible and should not have been considered.”
MONA curator Leigh Carmichael initially defended the plans, posting on the festival’s Facebook page on Monday that “self-expression is a fundamental human right”.
On behalf of artist Santiago Sierra, we are looking for people to take part in Union Flag: a new artwork that will see the Union Jack immersed in the blood of its colonised territories at Dark Mofo 2021. Read more and register here: https://t.co/7pMdB6amJm pic.twitter.com/zMY6vRqNLr
— Dark Mofo (@Dark_Mofo) March 19, 2021
But a day later he apologised “to all First Nations people for any hurt that has been caused”, cancelling the project and calling it a “mistake”.
A group of Indigenous artists, curators and arts workers have created a petition saying they will not work with MONA or its festivals “until there are organisational reforms to be respectful to First Peoples, our culture and our histories”.
MONA’s founder, millionaire professional gambler David Walsh, admitted he had given little consideration to the project, which also created an internal protest from museum staff who called it “tone-deaf”.
“Naively, perhaps incredibly, I thought it would appeal to the usual leftie demographic. I approved it without much thought (as has become obvious),” Walsh wrote in a blog post.
“I am the archetypal beneficiary of colonialism. And I’ve caught myself using that as an excuse for my ignorance.”
Sierra appeared unapologetic, defiantly posting on Instagram: “OFTEN THE SLAVE DEFENDS THE SYMBOLS OF THE MASTER.”
So far, more than 2,000 people have signed the petition that calls on MONA to issue a formal apology, hold mandatory staff cultural awareness training and decolonisation workshops and appointment an Indigenous advisory board.
They are also demanding the appointment of multiple Indigenous curators and the funding of more Tasmanian Aboriginal art.
MONA, which was opened 10 years ago and displays Walsh’s vast personal art collection, is widely credited with helping to revitalise Hobart and along with its annual festivals is a major tourist drawcard for the city.
A popular Australian arts festival has cancelled a Spanish artist’s project to soak a British flag in Indigenous people’s blood after angry protests from the Aboriginal community.
“A coloniser artist intending to produce art with the actual blood of colonised people is abusive, colonising and re-traumatising,” Indigenous author Claire G. Coleman tweeted.
“The idea is disgusting and terrible and should not have been considered.”
MONA curator Leigh Carmichael initially defended the plans, posting on the festival’s Facebook page on Monday that “self-expression is a fundamental human right”.
On behalf of artist Santiago Sierra, we are looking for people to take part in Union Flag: a new artwork that will see the Union Jack immersed in the blood of its colonised territories at Dark Mofo 2021. Read more and register here: https://t.co/7pMdB6amJm pic.twitter.com/zMY6vRqNLr
— Dark Mofo (@Dark_Mofo) March 19, 2021
But a day later he apologised “to all First Nations people for any hurt that has been caused”, cancelling the project and calling it a “mistake”.
A group of Indigenous artists, curators and arts workers have created a petition saying they will not work with MONA or its festivals “until there are organisational reforms to be respectful to First Peoples, our culture and our histories”.
MONA’s founder, millionaire professional gambler David Walsh, admitted he had given little consideration to the project, which also created an internal protest from museum staff who called it “tone-deaf”.
“Naively, perhaps incredibly, I thought it would appeal to the usual leftie demographic. I approved it without much thought (as has become obvious),” Walsh wrote in a blog post.
“I am the archetypal beneficiary of colonialism. And I’ve caught myself using that as an excuse for my ignorance.”
Sierra appeared unapologetic, defiantly posting on Instagram: “OFTEN THE SLAVE DEFENDS THE SYMBOLS OF THE MASTER.”
So far, more than 2,000 people have signed the petition that calls on MONA to issue a formal apology, hold mandatory staff cultural awareness training and decolonisation workshops and appointment an Indigenous advisory board.
They are also demanding the appointment of multiple Indigenous curators and the funding of more Tasmanian Aboriginal art.
MONA, which was opened 10 years ago and displays Walsh’s vast personal art collection, is widely credited with helping to revitalise Hobart and along with its annual festivals is a major tourist drawcard for the city.
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